Jayanta Mahapatra, Keki N. Daruwalla, Nissim Ezekiel and Arbind Kumar Choudhary have flourished as the poets of Oriyascape, UPscape, Bombayscape and Majuliscape in their respective ages of the creative writings. As a keen ruralscape painter Choudhary paints a painterly picture of Majuli, one of the most beautiful river islands of the world where natural beauty blooms to its climax. Majuli is the Prayag of Assam where the junction of the Brahmaputra, the Tuni and the Swarnasiri attracts tourists from all corners of the world who take glimpse of the roaring clouds, chirping birds, flowing rivers, green trees and what not? The spiritual message of the Satra makes life not only blissful but cultural too so far its tenets are concerned.
His sensational sensuousness puts many a poet under shame while he versifies the quatrain with vividness of diction, felicity of expression, genuineness of emotions , abundance of natural imagery , graphic descriptions, recapturing the spirit of the legends of India and outside India– all these and many more constitute his poetic genius . His blending of romanticism with classicism , exploration of new and compound words, proverbial proficiency, mythical, innovative iridescence and medieval magnificence spread his poetic fragrance for spiritual sanctity of Tom, Dick and Harry in this trouble torn world where piggish philosophy has been flourishing by leaps and bounds on name of prosperity, sanctity and tranquility. He is really a globally known Indian English poet who has hoisted up the flag of Indian English poetry up to global recognition upon which Indian can be proud of themselves. The phrases and racy style make him a suitor of the poetic world in the same way the lover romances with the erogenous zones of the fair sex for sexual bliss on the tomb.It is the need of the hour to keep in tact the ecological order on this earth if the existing generation wishes to continue the race in the womb of time.
If Aurobindo is the Milton of India, Arbind Kumar Choudhary is , no doubt ,the Keats of Indian English poetry . His Keatsean sensuousness, flight of imagination, romantic contents, philosophy of love, nature, suffering and poetry, pictorial painting, classical traits, lyrical outburst and subjectivity prepare the crown of Indian Keats in the history of Indian English literature. What that makes him Indian Keats is his blending of western and Indian mythology all through his poetic works in general and Love in particular.The sensuous vision , imaginative poetic grove, mythical monarchy, lyrical luminosity, proverbial plenty, phrasal alluvial passage, excellent rhymed quatrains,innovative Arbindonean racy style, Indianised form of Arbindonean sonnets and various other poetic qualities make him Indian Keats in Indian English poetry .
Love is the religion of Keats and Choudhary too because most of his poems are centered on a number of various facets of love, be it sensual , devotional or spiritual . Even his Nature Poems , Love Poems, Melody, and several other poems peep in to the heart of lovers for spiritual bliss in life . In Love his love becomes more beautiful than Life’s beatitude.Love is the fragrance of life that blooms only in perfect psyche. Love is a hyacinth , a saving grace and , above all , an odour of sanctity on this land of duffer.Like Keats Choudhary becomes highly sensuous while he paints a lovely picture of the erogenous zones of the fair sex that tickles her suitors for sexual encounter with her counterpart .
Both John Keats and Choudhary are the towering personalities of the creative world who have made the literary milieu fragrant worldwide. Both have proved their literary heraldry in their respective ages. Golden heart is common to both of them. Poetic sensibility is supreme, poetic thought is of high water mark and racy style is unparalleled. Both are the word magicians who play with words as falcon plays with the sparrow. Both are spring suitors and live in the vale of external bliss through the poesy. Both have propounded their poetic philosophy for the perfection in the poetic world.
English literature has produced three models of sonnets popularly called Spenserian, Shakespearean and Miltonic sonnets that vary in rhyme scheme but adheres to the rule of fourteen lines of the sonnet. Indian English literature has also evolved fourth model of sonnets popularly called Arbindonean sonnets in the popular psyche of the creative milieu. Arbindonean sonnets are divided in to seven rhymed couplets that completes the norm of fourteen lines of a sonnet. Most of the sonnets bring to light the capital idea and other poetic tools of Indian English writers and writers of Indian origin.His sensational sensuousness puts many a poet under shame while he versifies the quatrain with vividness of diction, felicity of expression, genuineness of emotions , abundance of natural imagery , graphic descriptions , recapturing the spirit of the legends of India and outside India and many more constitute his poetic genius and make the poem as delicious as the nectar . Indian gods and goddess – Ram, Sita, Radha, Krishna, Govind, Sabri, Dadhichi, Urvasi, Laila, Majnu, Heer, Rangha, Panchali, Draupadi, Soni, Mohiwal, Shakuntala, Vaman, Trinity, and several others are equally fragrant across his poetic gardens.
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